Latin American Music Review/Revista de Música Latinoamerica

Submission Guidelines

Spring/Summer 2009, 30:1
Fall/Winter 2008, 29:2
Spring/Summer 2008, 29:1
Fall/Winter 2007, 28:2
Spring/Summer 2007, 28:1
Fall/Winter 2006, 27:2
Spring/Summer 2006, 27:1
Fall/Winter 2005, 26:2
Spring/Summer 2005, 26:1
Archives

Spring/Summer 2009, 30:1

The Acoustic Body: Rumba Guarapachanguera and Abakuá Sociality in Central Park

Berta Jottar

The Singing Voice and Racial Politics on the Brazilian Evangelical Music Scene

John Burdick

Appropriation in Reverse; or What Happens When Popular Music Goes Dodecaphonic

Fabio Akcelrud Durão and José Adriano Fenerick

Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival

Daniel Party

Reviews

Geoffrey Baker, Imposing Harmony: Music and Society in Colonial Cuzco

Joshua Tucker

Julian Carrillo, Seis casi-sonatas en cuartos de tono para violoncello solo

Alejandro L. Madrid

Helmut Brenner, Marimbas in Latinamerika. Historische Fakten unt Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien

Carola Schormann

Holly Wissler, Kusisqa Waqashayku (DVD)

Kathryn Metz

Fall/Winter 2008, 29:2

Acúmulos e Vazios da Pesquisa Sobre o Rock Argentino (Accumulation and Gaps in the Research on Argentine Rock )

Adrián Fanju

La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción

Fernando Rios

A propósito de nuevos sonidos para nuevos reinos: prescripciones y práctices músico-rituales en el área surandina colonial

Victor Rondón y Alejandro Vera

Danza antillana, conjuntos militares, nacionalismo musical e identidad dominicana: retomando los pasos perdidos del merengue

Edgardo Díaz Díaz

Reviews

Garth L. Green and Philip W. Scher, (eds.), Trinidad Carnival: The Cultural Politics of a Transnational Festival

Timothy Rommen

Cristóbal Díaz Ayala, Los contrapunteos de la Música Cubana

Robin Moore

Björn Heile, The Music of Mauricio Kagel

Deborah Schwartz-Kates

Jan Sverre Knudsen, Those that Fly without Wings: Music and Dance in a Chilean Immigrant Community

Molly White

Lorraine Leu, Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition

Krista Kateneva

Sydney Hutchinson, From Quebradita to Duranguense: Dance in Mexican American Youth Culture

Kim Kattari

Spring/Summer 2008, 29:1

Brazil in France, 1922: An Anthropological Study about the Congenital International Nexus of Popular Music

Rafael José de Menezes Bastos

Música e Fé: A cena religiosa no mercado fonográfico brasileiro

Eduardo Vicente

M. Camargo Guarnieri and the Influence of Mário de Andrade's Modernism

Sarah Tyrrell

Cultural Geographies of Afro-Brazilian Symbolic Practice: Tradition and Change in Maracatu de Nação (Recife, Pernambuco, Brazil)

Jerry D. Metz

Reviews

Book Review: Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia's Choro: A Social History of a Brazilian Popular Music (Indiana University Press)

Daniel Sharp

Book Review: Malena Kuss (ed.) Music in Latin America and the Caribbean: An Encyclopedic History. Volume 1: Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico (University of Texas Press)

Jane L. Florine

CD Review: Ecos de Borinquen, Jibaro Hasta el Hueso; Los Pleneros de la 21, Para Todo Ustedes; Viento de Agua, Viento de Agua Unplugged: Materia Prima; Various artists, Quisqueya en el Hudson/Dominican Music in New York City (Smithsonian Folkways Recordings)

Julian Gerstin

CD Review: José Gutierrez y Los Hermanos Ochoa, La Bamba: Sones Jarochos from Veracruz; Los Camperos de Valles, El ave de mi Sonar: Mexican Sones Huastecos; Arpex, ¡Tierra Caliente! Music from the Hotlands of Michoacán (Smithsonian Folkways Recordings)

Jesus A. Ramos-Kittrell

CD Review: Nati Cano's Mariachi Los Camperos, ¡Llegaron Los Camperos! Concert Favorites of Nati Cano's Mariachi Los Camperos (Smithsonian Folkways Recordings)

Jesus A. Ramos-Kittrell

CD Review: Lydia Cabrera and Josefina Tarafa's Havana & Matanzas, Cuba, ca. 1957: Batá, Bembé, and Palo Songs (Smithsonian Folkways Recordings)

Michael Marcuzzi

Fall/Winter 2007, 28:2

Music, Citizenship, and Violence in Postdictatorship Brazil

Frederick Moehn

Bandidos de Cristo: Representations of the Power of Criminal Factions in Rio's Proibidão Funk

Paul Sneed

Colonialidad y Poscolonialidad Musical en Colombia

Oscar Hernández Salgar

Histórias e historadores da música popular no Brasil

José Geraldo

Reviews

Charles W. White, Alejandro García Caturla: A Cuban composer in the twentieth century

Mareia Quintero Rivera

Leonardo Acosta, Otra visión de la musica cubana

Alejandro L. Madrid and Liliana González Moreno

David García, Arsenio Rodríguez and the Transnational Flows of Popular Music

Susan Thomas

Bryan McCann, Hello, Hello Brazil: Popular Music in the Making of Modern Brazil

Frederick Moehn

Heidi Feldman, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific

Joshua Tucker

DVD Review: Los Cenzontles Mexican Arts Center, Fandango: Searching for the White Monkey (Buscando el Mono Blanco)

Alex E. Chávez

Spring/Summer 2007, 28:1

El bambuco, los saberes mestizos y la academia: un análisis histórico de la persistencia de la colonialidad en los estudios musicales latinoamericanos

Carolina Santamaría Delgado

El chico duro de La Habana agresividad, desafío y cinismo en la timba cubana

Rubén López Cano

Tango Renovación: On the Uses of Music History in Post-Crisis Argentina

Morgan James Luker

Celebrity, "Crossover," and Cubanidad: Celia Cruz as "La Reina de Salsa," 1971-2003

Christina D. Abreu

El arpa diatónica paraguaya en la búsqueda del tekorã: representaciones de paraguayidad

Alfredo Colman

Reviews

Tomas Marco, El sonido del realismo mágico

David P. Appleby

Juan Orrego Salas, Encuentros, visiones y repasos. Capítulos en el camino de mi música y mi vida

Juan Pablo González

Mariana Martins Villaça, Polifonia tropical: experimentalismo e engajamento na música popular (Brasil e Cuba, 1967-1972)

Mareia Quintero Rivera

Vincenzo Perna, Timba: The Sound of Cuban Crisis

Robin Moore

Michael Largey, Vodou Nation: Haitian Art Music and Cultural Nationalism

Lois Wilken

Karen E. Richman, Migration and Vodou

Rebecca Sager

Catana Pérez de Cuello and Rafael Solano, El Merengue: Música y Baile de la República Dominicana; and Darío Tejeda and Rafael Emilio Yunén, eds., El Merengue en la Cultura Dominicana y del Caribe: Memorías del Primer Congreso Internacional "Música, Identidad y Cultura en el Caribe"

Peter Manuel

CD Review: Reinado do Rosário de Itapecerica (MG): Da Festa e dos Mistérios, and Folia de Reis: Tradição e Fé

Suzel Ana Reily

Fall/Winter 2006, 27:2

The Saga of a Song: Authorship and Ownership in the Case of "Guantanamera"

Peter Manuel

Imagining an Afro-Creole Nation: Eugène Mona's Music in Martinique of the 1980s

Dominique Cyrille

The Film Music of Alberto Ginastera: An Introduction to the Sources and Their Significance

Deborah Schwartz-Kates

Carlos Guastavino: A Re-evaluation of His Harmonic Language

Jonathan Kulp

Reviews

Helena Simonett, En Sinaloa nací: Historia de la música de banda

Daniel Sheehy

Robin Moore, Music and Revolution: Cultural Change in Socialist Cuba

Julian Gerstin

Shannon Dudley, Carnival Music in Trinidad: Experiencing Music, Expressing Culture

Hope Munro Smith

Daniel H. Sheehy, Mariachi Music in America: Experiencing Music, Expressing Culture

Cándida F. Jácquez

Dale A. Olsen, The Chrysanthemum and the Song. Music, Memory, and Identity in the South American Japanese Diaspora

Ketty Wong

Guty Cárdenas, Un siglo del ruiseñor; Beatriz Heredia y Rafael de Pau, Guty Cárdenas: Leyenda o realidad; Luis Pérez Sabido, Guty Cárdenas: Su vida y sus canciones; Álvaro Vega and Enrique Martín, Guty Cárdenas: Cancionero

Helmut Brenner

Patricia Caicedo and Eugenia Gassull, A mi ciudad nativa/To my native city: Art Songs of Latin America

Jonathan Kulp"

Spring/Summer 2006, 27:1

Editor's Note: A Selection of the Works of Gerard Béhague

Robin Moore

Theoretical or Issue-Oriented Works

A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors. Originally published in Ethnomusicologie und historiche Musikwissenschaft, ed. Christoph-Helmut Mahling and Stephen Münch. Tutzing, Germany: Verlag Hans Schnieder, 1997

Diversity and the Arts: Issues and Strategies. Symposium Paper, University of Michigan of Ann Arbor, May 2005

Art Music Studies

Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil. Conference Paper, International Conference of Americanists, Stockholm, July 1994

La problemática de la identidad cultural en la música culta hispano-caribeña. Ponencia presentada en el Tercer Foro de Compositores del Caribe, San Juan, Puerto Rico, octubre 1990

La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica. Ponencia presentada en el Tercer Foro de Compositores del Caribe, San Juan, Puerto Rico, octubre 1990

State of Research of Brazilian Music

Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas. Lisboa, octubre 1998

Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira

Globalization/Modernization

Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-1995). Published in Selected Reports in Ethnomusicology 11, 2003

Regional and National Trends in Afro-Brazilian Religious Musics: A Case of Cultural Pluralism. Lecture, Brown University, March 6, 1992

Reviews

Paul Austerlitz, Jazz Consciousness: Music, Race, and Humanity

David F. García

Jill Lane, Blackface Cuba, 1840-1895

Robin Moore

Guillermo Carbó Ronderos, Tambora: Baile cantado en Colombia

Carolina Santamaría

Various composers, Guitarra de Cristal: Contemporary Cuban Music for the Guitar

Alejandro L. Madrid

Estevan César Azcona and Russell Rodriguez, comp., ann., prod., Rolas de Aztlán: Songs of the Chicano Movement

Brenda M. Romero

Fall/Winter 2005, 26:2

Articles

¿De qué color es el oro?: Race, Environment, and the History of Cuban National Music, 1898-1958

Gregory T. Cushman

Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador

Michelle Wibbelsman

Carrasco or Mathías: Plagiarism and Corruption in an Eighteenth-Century Examen de Oposición from the Oaxaca Cathedral

Mark Brill

The Making of a Social History of Popular Music in Chile: Problems, Methods, and Results

Juan Pablo Gonzalez

El compositor español Hernando Franco (1532-85) antes de su llegada a México: trayectoria profesional en Portugal, Santo Domingo, Cuba y Guatemala

María Gembero Ustárroz

Ritual y espectáculo en la música indígena: El caso de los jóvenes toba del Chaco argentino

Silvia Citro

Reviews

Joel Sherzer, ed. and trans., Stories, Myths, Chants, and Songs of the Kuna Indians

Greg Urban

Frances R. Aparicio and Cándida F. Jáquez, eds., Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America

Estevan Azcona

Elizabeth A. McAlister, Rara! Vodou, Power, and Performance in Haiti and Its Diaspora

Bryan Walls

Música para piano: Ricardo Tacuchian

Márcio Bezerra

Spring/Summer 2005, 26:1

Articles

The Oaxaca Cathedral Exámen de Oposición and the Quest for a Modern Style

Mark Brill

Borderland Music as Symbolic Forms of Nationalism: The Best of the Texas Tornados, Partners, and ¡Viva Luckenbach!

Margaret E. Dorsey

Making it There: Piazzolla's New York Concerts

David Butler Cannata

Stravinsky y la constelación ideológica argentina en 1936

Omar Corrado

Film Music and Community Development in Rural Puerto Rico: The DIVEDCO Program (1948-1991)

Donald Thompson

Reviews

Lynn A. Meisch, Andean Entrepreneurs: Otavalo Merchants and Musicians in the Global Arena

Michelle Wibbelsman

Michelle Bigenho, Sounding Indigenous: Authenticity in Bolivian Music Performance

Elizabeth LaBate

Ernesto Donas y Denise Milstein, Lenguajes, imaginarios y mediaciones en la canción popular montevideana (1962-1999)

Marcos Napolitano

The Piano Works of Aurelio de la Vega Martha Marchena, piano

Carl Byron

LAMR Archives